Write-up: TYPO London 2011 (Thursday)

Places

From 20-22 October, London was host to the TYPO 2011 conference. The conference started sixteen years ago in Berlin, continuing without interruption since. London holds the distinction as the first event held outside of Germany. The format: three days of talks with appearances by more than forty speakers. The schedule is quite ambitious. Talks begin in the early morning and continue well into the evening: there is no filler and the expectation of quality is high. Erik Spiekermann (always direct, brutally honest, wonderfully hilarious) and Adrian Shaughnessy acted as the glue of the conference, holding the space between speakers in place.

The theme of the conference is perhaps best summarised by a point Dale Herigstad made in the very first talk, later expanded upon by Tim Fendley. Spaces become places when they contain meaning; places gain definition with name. The speakers, organisers and audience members all arrived from a great many places, and the work and conversation shared amongst them reaches even further.

While I currently design and develop for the web, my background is in print. I formally studied as a Graphic Designer, schooled in the principles of the Bauhaus and Swiss design. Towards the latter half of university, I experienced the autumn years of post-modernism in design — a divergence that encouraged experimentation and insisted on questioning legibility — an experience that certainly influenced my understanding of design as much as formal modernism. The speakers who volunteered their time for this conference came from a genuine mix of design and art backgrounds. Design conferences of this scale are quite rare, and I feel quite fortunate to have had the opportunity to see the work of so many of my peers and heroes, to view the work as presented.

The quality and tempo of the conference was perhaps set by the first day of talks, a series to kick off the weekend in great anticipation.

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Snapshots: Week of 28 March, 2011

Shades of Grey (with a bit of color)

The business cards I ordered from Moo arrived today. Considering they have been digitally printed, the quality is certainly good for the price. I particularly like the recycled card stock, a very subtle smooth texture with a visible grain. The design was rushed out this weekend in the hopes that they would be delivered in time for Glug — which I’ll be attending tonight. Selecting Caecilia for the typography was smart, and the color actually matches what I intended. Next time I order though I’ll make sure to make the design a bit more interesting.

p1050197

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Peacebones

After more than a year and a half of procrastination, false starts, and restarts the redesigned www.tomhurlburt.com has launched. Under the surface the site is a custom wordpress theme with a few very specific plugins that attempt to give the appearance of a more dynamic infrastructure, without all the necessary programming. Consider the design a perpetual work in progress. Tom is a Camera TD at Blue Sky Studios.