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	<title>withoutnations : Mark Mitchell &#187; Verdana</title>
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		<title>Typographic faux pas</title>
		<link>http://www.withoutnations.com/2009/08/28/typographic-faux-pas/</link>
		<comments>http://www.withoutnations.com/2009/08/28/typographic-faux-pas/#comments</comments>
		<pubDate>Fri, 28 Aug 2009 17:36:58 +0000</pubDate>
		<dc:creator>Mark</dc:creator>
				<category><![CDATA[Notes]]></category>
		<category><![CDATA[IKEA]]></category>
		<category><![CDATA[typography]]></category>
		<category><![CDATA[Verdana]]></category>

		<guid isPermaLink="false">http://www.withoutnations.com/?p=231</guid>
		<description><![CDATA[IKEA adopting Verdana is a bit perplexing. My initial suspicion was that the decision was intended as a strategy to unite the typography used in print to that on the web &#8212; Futura hasn&#8217;t achieved ubiquity on personal computers due to licensing restrictions. Unfortunately it seems the official reason is that the company wants to use [...]]]></description>
			<content:encoded><![CDATA[<p><a href="http://typophile.com/node/61222">IKEA adopting Verdana</a> is a bit perplexing. My initial suspicion was that the decision was intended as a strategy to unite the typography used in print to that on the web &#8212; Futura hasn&#8217;t achieved ubiquity on personal computers due to licensing restrictions. Unfortunately it seems the official reason is that the company wants to use the same typeface in every country, a fairly weak argument. If internal standards have suddenly become so dire, they surely could have found an opentype font &#8212; Helvetica/Arial perhaps &#8212; that is actually intended for viewing at the sizes the new catalogue is typeset in. On a related note, the website seems to degrade further from the brilliant concept <a href="http://www.hugeinc.com/">Huge</a> composed for them on a nearly daily basis.</p>
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